Rossini Opera Festival: Ermione
Оперный фестиваль Россини: Эрмиона
The Rossini Opera Festival proves once that it knows how to reignite the fire of rarely performed Rossini works. The RAI Orchestra “performed flawlessly” (Bachtrack) with Rossini expert Michele Mariotti. Anastasia Bartoli portrayed a “heartbreaking, vengeful and seductive” (Le Soir) Ermione, Juan Diego Flórez as Oreste is on top bel canto form, his duets with Bartoli “magical” (Bachtrack).
Actors
Oreste
Ermione
Anastasia Bartoli
Pirro
Enea Scala
Andromaca
Victoria Yarovaya
Pilade
Antonio Mandrillo
Crew
Stage Director
Johannes Erath
Conductor
Michele Mariotti
Set designer
Heike Scheele
The Rossini Opera Festival’s production of Ermione successfully revives a rarely performed work, directed by Johannes Erath at the Vitifrigo Arena.
The RAI Orchestra, led by Michele Mariotti, delivered a flawless performance, bringing the score to life. Anastasia Bartoli’s portrayal of Ermione was praised for her powerful voice, while Juan Diego Flórez excelled as Oreste, delivering tender and magical duets with Bartoli. Enea Scala as Pirro impressed with his dynamic tenor. Overall, the revival thrilled the audience and showcased the festival’s expertise in Rossini’s music.
“Johannes Erath’s sharp staging provides a feast for the eyes but also trusts the experimental music — chromatic flashes, interrupted melodies and declamatory style — to drive the drama” (Financial Times)
The RAI Orchestra, led by Michele Mariotti, delivered a flawless performance, bringing the score to life. Anastasia Bartoli’s portrayal of Ermione was praised for her powerful voice, while Juan Diego Flórez excelled as Oreste, delivering tender and magical duets with Bartoli. Enea Scala as Pirro impressed with his dynamic tenor. Overall, the revival thrilled the audience and showcased the festival’s expertise in Rossini’s music.
“Johannes Erath’s sharp staging provides a feast for the eyes but also trusts the experimental music — chromatic flashes, interrupted melodies and declamatory style — to drive the drama” (Financial Times)
The Sun of Italy – Rossini Festival in Pesaro
Juan Diego Flores, Olga Peretyatko, Erwin Schrott – enjoy the stars of bel canto at the most carefree and playful of opera events – the Rossini Festival in Pesaro. Sparkling trills, crazy coloraturas, first-class voices – each production, like a precious stone, is full of light and joy. We invite you to share with us the warmth of Italian August nights and the delight of Rossini’s brilliant music.
→
Story
Ermione, a azione tragica in two acts to a libretto by Andrea Leone Tottola, was first performed at Teatro San Carlo, Naples, on 27th March 1819.
The story is taken from Andromaque by Jean Racine.
Act One
Pyrrhus, son of Achilles and King of Epirus, has promised to marry Hermione, daughter of Menelaus, but he has fallen in love with the Trojan prisoner Andromache, widow of Hector. At the beginning of the opera, in a dungeon, the Trojan prisoners recall the past greatness of their country and bewail their fate. Andromache enters with Attalo and Fenicio. She has been allowed to spend a few minutes with her son Astianax. Attalo advises her to take off her mourning clothes and to think from now on about her son’s future, but Fenicio interrupts him, having understood that Attalo means to encourage Pyrrhus’s love for Andromache, a love that the Greeks will never tolerate and that could only lead to another war.
Outside the palace handmaidens invite Hermione to enjoy the hunt, but the princess is suffering the pangs of jealousy. When Pyrrhus enters she reproves him for loving Andromache and threatens revenge. But Pyrrhus is not a weak man, even if he is worried by the announcement of the arrival of Orestes as messenger from the Kings of Greece. In the palace Orestes’s sole thought is of meeting Hermione again, for he has long been in love with her, but Pylades urges him to control himself and to think rather of the mission with which Greece has entrusted him. Pyrrhus enters with his court and, to Hermione’s fury, he invites Andromache to sit among the nobles. Orestes explains his mission: the Kings of Greece desire that young Astianax be put to death in order that the power of Troy should not rise again in the person of that “young shoot”. Pyrrhus not only refuses this request but publicly reveals his love for Andromache and announces his intention of marrying her. Outside the palace Cleone advises Hermione to allow Orestes to avenge her. When Orestes declares his love for her, Hermione cannot make up her mind one way or the other, but she does not repulse him. Pyrrhus returns with his followers. Since Andromache, true to the memory of Hector, has refused his hand, he has decided to give up Astianax to Oreste and to make his peace with Hermione. But when the guards lead Astianax on, Andromache is overwhelmed by her maternal instincts and she begs Pyrrhus to give her time to think matters over. Pyrrhus is delighted, whilst Hermione and Orestes are overcome with consternation and rage.
Act Two
In the palace courtyard Pyrrhus is overjoyed to hear that at last Andromache has consented to become his wife and he orders that the wedding ceremony take place without delay. In reality, Andromache intends to make him swear upon the altar to protect Astianax, then she will kill herself. Meanwhile Hermione is prey to warring emotions: her love for Pyrrhus, the desire for death, and the lust for vengeance. However, enraged by the sight of the wedding procession of Pyrrhus and Andromache, she demands that Orestes kill the traitor. But she instantly regrets this, and feels once more inclined to forgive Pyrrhus – all in vain, because Orestes gives her his dagger, dripping with the blood of Pyrrhus. Hermione wildly upbraids him for not having understood her real feelings, and falls fainting to the ground after having invoked the Furies to punish the author of the crime; Pylades and his men drag Orestes back to their ship to keep him from falling into the hands of the angry populace.
Ermione, a azione tragica in two acts to a libretto by Andrea Leone Tottola, was first performed at Teatro San Carlo, Naples, on 27th March 1819.
The story is taken from Andromaque by Jean Racine.
Act One
Pyrrhus, son of Achilles and King of Epirus, has promised to marry Hermione, daughter of Menelaus, but he has fallen in love with the Trojan prisoner Andromache, widow of Hector. At the beginning of the opera, in a dungeon, the Trojan prisoners recall the past greatness of their country and bewail their fate. Andromache enters with Attalo and Fenicio. She has been allowed to spend a few minutes with her son Astianax. Attalo advises her to take off her mourning clothes and to think from now on about her son’s future, but Fenicio interrupts him, having understood that Attalo means to encourage Pyrrhus’s love for Andromache, a love that the Greeks will never tolerate and that could only lead to another war.
Outside the palace handmaidens invite Hermione to enjoy the hunt, but the princess is suffering the pangs of jealousy. When Pyrrhus enters she reproves him for loving Andromache and threatens revenge. But Pyrrhus is not a weak man, even if he is worried by the announcement of the arrival of Orestes as messenger from the Kings of Greece. In the palace Orestes’s sole thought is of meeting Hermione again, for he has long been in love with her, but Pylades urges him to control himself and to think rather of the mission with which Greece has entrusted him. Pyrrhus enters with his court and, to Hermione’s fury, he invites Andromache to sit among the nobles. Orestes explains his mission: the Kings of Greece desire that young Astianax be put to death in order that the power of Troy should not rise again in the person of that “young shoot”. Pyrrhus not only refuses this request but publicly reveals his love for Andromache and announces his intention of marrying her. Outside the palace Cleone advises Hermione to allow Orestes to avenge her. When Orestes declares his love for her, Hermione cannot make up her mind one way or the other, but she does not repulse him. Pyrrhus returns with his followers. Since Andromache, true to the memory of Hector, has refused his hand, he has decided to give up Astianax to Oreste and to make his peace with Hermione. But when the guards lead Astianax on, Andromache is overwhelmed by her maternal instincts and she begs Pyrrhus to give her time to think matters over. Pyrrhus is delighted, whilst Hermione and Orestes are overcome with consternation and rage.
Act Two
In the palace courtyard Pyrrhus is overjoyed to hear that at last Andromache has consented to become his wife and he orders that the wedding ceremony take place without delay. In reality, Andromache intends to make him swear upon the altar to protect Astianax, then she will kill herself. Meanwhile Hermione is prey to warring emotions: her love for Pyrrhus, the desire for death, and the lust for vengeance. However, enraged by the sight of the wedding procession of Pyrrhus and Andromache, she demands that Orestes kill the traitor. But she instantly regrets this, and feels once more inclined to forgive Pyrrhus – all in vain, because Orestes gives her his dagger, dripping with the blood of Pyrrhus. Hermione wildly upbraids him for not having understood her real feelings, and falls fainting to the ground after having invoked the Furies to punish the author of the crime; Pylades and his men drag Orestes back to their ship to keep him from falling into the hands of the angry populace.
Language
Italian
Runtime
2 hours 40 minutes with one intermission
Act 1
92 min
Intermission
10 min
Act 2
59 min
2024
18+
_Amati%20Bacciardi.JPG "© Amati Bacciardi")
_Amati%20Bacciardi.jpg "© Amati Bacciardi")
_Amati%20Bacciardi.jpg "© Amati Bacciardi")
_Amati%20Bacciardi.jpg "© Amati Bacciardi")
_Amati%20Bacciardi.JPG "© Amati Bacciardi")
_Amati%20Bacciardi.JPG "© Amati Bacciardi")
_Amati%20Bacciardi.jpg "© Amati Bacciardi")
_Amati%20Bacciardi.JPG "© Amati Bacciardi")
_Amati%20Bacciardi.jpg "© Amati Bacciardi")
_Amati%20Bacciardi.png "© Amati Bacciardi")
Can be interesting for you
Salzburg: Don Carlo
The Salzburg Festival hosts a new production of Verdi’s “Don Carlo”, directed by Peter Stein and embodied by Jonas Kaufmann.
